If you seek monuments in Montevideo, look around Parque Rodo. This green oasis in the middle of the city is named after Jose Enrique Rodo, one of Uruguay's most influential writers and educators.
Rodo's essay
"Ariel" written in 1900, has become a classic treatise for philosophical thinking in Latin America. Composed in the style of a lecture given by professor Prospero to his students before they venture out into the world, "Ariel" advocates humanistic rather than materialistic values. Rodo asserts that "
The civilization of a country acquires its grandeur, not by its manifestations of material prosperity and predominance, but by the higher order of thinking or of feeling this makes possible."
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| Ariel is depicted emerging from the stone over the head of Rodo |
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| Monument to Rodo, created by sculptor Jose Belloni in 1947 |
Rodo's essay also expresses a definite anti-American sentiment. Although the 29 year-old author had never actually visited the U.S., he condemns North American culture as utilitarian, narrow, insensitive and greedy. "Titanic in its enormous concentration of human will-power, in its unprecedented triumph in all spheres of material aggrandizement, its civilization yet produces as a whole a singular impression of insufficiency, of emptiness." He warns against "nordomania" (fascination with North America), denounces the Puritan work ethic, and stresses the importance of developing a distinctly South American identity based on European values, particularly those of England, France and Spain. The term "arielismo" still used today, refers to a sense of Latin American moral and spiritual superiority, steeped in idealism and marked with disdain for menial work driven by economic incentive.
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| La despedidas de Giorgias |
The bronze figures portrayed on either side of the monument represent scenes from two other works written by Rodo - Giorgia's Farewell and The Six Pilgrims.
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| Los seis peregrinos |
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| The other side of the Rodo monument has a reflecting pool |
The map of Parque Rodo lists a total of 28 monuments spread over the landscaped grounds. Here are some of the highlights among the eclectic mix of people represented.
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| Confucius, looking out to the river |
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| "Monumento Cosmico" 1939 by Joaquin Torres-Garcia is pink granite engraved with Pre-Columbian symbols |
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| Artigas monument, dedicated to "Las Instrucciones de 1813" |
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| Curved wall of the monument serves as temporary shelter |
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| Albert Einstein (although it's hard to tell) |
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| Neptune |
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| Venus and Cupid |
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| Venus, overlooking her pool |
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Fountain of the Athletes
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| William Tell |
Parque Rodo has other attractions, including spaces for cultural events, a library, an art gallery, tennis courts, an amusement park, a photo gallery and an open air theatre. Even Jose Enrique Rodo would approve of this park's contribution to the improvement of mind and body.
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| Castle which houses a children's library |
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| Patio Andaluz, with tiled benches and central fountain |
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| Carousel |
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| Museo Nacional de Artes Visuales |
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| Evening performance of the Montevideo Philharmonic Orchestra |
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| Outdoor photo exhibition |
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| Market in the park every Sunday |
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| Green space for morning exercises |
"I am convinced that he who has learned to distinguish the delicate from the common, the ugly from the beautiful, has gone half the way to knowing the evil from the good." - Jose Enrique Rodo
Postscript:
The Latin phrase "Si monumentum quaeris, circumspice" means "If you seek a monument, look around you." This is the inscription on the grave of architect Christopher Wren who is buried in St. Paul's Cathedral, the church which he designed. It is also the inscription on my great-grandfather's tombstone in Nishatganj (Trans-Gogra) Lucknow, India. Matthew Ridley was the Superintendent of Government Parks and Gardens in Lucknow from 1875 until his death in 1904.