Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Sunday, May 29, 2011

Javier Bassi

The upstairs gallery at the Museo Nacional de Artes Visuales is as spacious as a ballroom, and its high-gloss hardwood floor seems to extend an invitation to dance. It might be fun, but waltzing would be inappropriate here, as  I am reminded by both the presence of a surly security guard and the imposing series of paintings by Javier Bassi - sombre, large, black rectangles that march along the walls like a funeral procession.  At first glance this looks like an exhibition of  formal, minimalist abstract canvases (i.e. serious stuff.)

Installation view of "In/visibilidad" exhibition
The labels reveal that Bassi's work is not pure abstraction, but a combination of collage and painting.  The artist uses black toner (the same carbon chemical used in photocopiers and printer cartridges) applied over a layer of classified ads that have been pasted to the canvas.  The off-white streaks that read as brush marks are actually areas where the underlying newsprint is exposed.

Detail, with classified ads barely visible under the toner
In some of the paintings Bassi allows his technique to be deciphered, revealing fragments of the printed page, while in other works, the toner completely covers  the ads.  The viewer has to question the presence and function of the submerged, invisible content.  What significance does a totally obscured image have?

Classified ads are published to meet the needs of those who wish to buy, sell, trade or hire.  "Want ads" they are called, and indeed the classified section manages to address just about every human desire: transportation, clothing, shelter, furniture, food, tools, collectibles, pets, education, employment, even personal relationships are offered.   The ads form an enticing grid of possibilities for gratification.


"Mi linea como trampa" 200 x 480 cm


I am a fan of haiku, and enjoy the sense of surprise and simple insights that these succinct verses offer.   I read the following haiku in The Heron's Nest magazine and said "Aha!" as the Bassi series came to mind.

migrating geese-
the things we thought we needed
darken the garage

- Chad Lee Robinson

"Ice Cream Memory" 100 x 130 cm

Bassi's paintings, like the dark, overloaded garage, represent weighty accumulations rather than voids. All the things listed in the ads are stored under layered shadows that effectively cancel any initial attraction.   Both visual artist and haiku poet are making statements that mock materialism and the human weakness for possessions.
   
Instead of being encumbered with a lot of things, wouldn't it be nice to be airborne, like the migrating birds?  And wouldn't it be nice to just go ahead and dance, when you have the urge?

"In/visibilidad" by Javier Bassi continues at the MNAV until July 10, 2011.  The exhibition catalogue, with images, artist's biography and curatorial essays, is available online.  

Friday, December 31, 2010

The Wishing Tree

With help from my sister Ruthanne, who is a history scholar and an expert researcher, I have been working on a family tree.  The process is like assembling a jig-saw puzzle, fitting parents to their parents and grandparents, gathering details of births, marriages, and deaths, finding the missing link that connects a distant branch.  The chart that we're building shows a mixed heritage of farmers, businessmen, merchants, military officers, teachers, lawyers and accountants, some Anglican, Jewish, Quaker, Baptist and Catholic, hailing from England, Scotland, Ireland, Wales, British India, Canada and the U.S.  Our ancestors include salt of the earth and book-learned people, rich and poor folks, a few famous and most quite ordinary.

My grandmother
As one works further back in time, it becomes clear that nothing much has changed throughout history.  It's true that families are smaller today, and more spread out geographically, but in the course of our lives we experience the same trials and triumphs that our distant relatives dealt with.  There are losses: babies who don't survive, sons who go off to war and never return, failed marriages, mental illness, bankruptcy, flu epidemics, and tragic accidents.  There are successes and celebrations, too: graduations, awards, job promotions, birthdays, anniversaries, weddings and the honour of special recognition from colleagues and friends.  I know that the cycle continues when I see the happy face of my baby granddaughter Victoria reflecting her mother's sweet smile.  Our wishes for the next generation (and the ones after that) are the same hopes that my mother, grandmother and great-grandmother had for their children and grandchildren.  It makes me feel stronger and more capable when I look at the enduring, widespread branches of the family tree and find my place firmly rooted there.

"The Wishing Tree" a poem by Kathleen Jamie, expresses this sense of continuity with simple, resonant words and imagery.  The poet writes, " One day walking in Argyll with my husband, we encountered a wishing tree which surprised us a great deal because I didn't know there were any in Scotland.  I mean a tree people have bashed coins into for a wish or desire - I knew they existed in Ireland but had never seen one in Scotland."

I love the way past and present merge in this poem, just as our family tree brings the deceased closer to the living.  As we approach the end of one year and the beginning of another, and make our resolutions for change in a period of global uncertainty, the wishing tree reminds us that "hope springs eternal in the human breast."

The Wishing Tree

I stand neither in the wilderness
nor fairyland,

but in the fold
of a green hill,

the tilt from one parish
into another.

To look at me
through a smirr of rain

is to taste the iron
in your own blood;

because I bear
the common currency

of longing: each wish
each secret visitation.

My limbs lift, scabbed
with greenish coins; I draw

into my slow wood, fleur
-de-lys, the enthroned Britannia.

Beyond, the land reaches
toward the Atlantic.

And though I'm poisoned,
choking on small change

of human hope, gently
beaten into me, look:

I am still alive;
in fact, in bud.

                               - Kathleen Jamie 2002

To hear a recording of the poet reading this work click here.
Wishing you a Happy New Year!